“DEAD END” OF THE TURKISH PLAYWRIGHT TUNCER CÜCENOGLU IN UKRAINIAN AND RUSSIAN LANGUAGES: CORRELATION OF CONTEXTS AT THE LEVEL OF IMAGES

Abstract

The article studied the relation of the Turkish drama writer Tuncer Cücenoglu “Dead End” with the Ukrainian and Russian translations at the level of images. Revealed differences in the interpretation of ideas of the author, and as a result – the formation of own interpretative pattern of the original artistic images.